Page 7 - CC2018_ID_Look_Inside

project 4 Museum Exhibits Booklet project 7 Repurposed Content Layouts

o Working with
o Working with XML
Master Pages
o Creating Alternate
o Controlling the
Flow of Text Layouts

o Outputting
Variations
of Files

project 5 Folding Travel Brochure project 8 Multi-Chapter Booklet

o Combining Documents
o Building a Folding
into Books
Template
Companion
Excerpts
o Advanced Frame
Contents
Options o Building a Table of Contents 1
A Brief History of
Visual Communication
Illumination . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1
Automating the Publishing Process . . . . . . . . . . . . . . . . . . 2
Photography . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
Color Photography . . . . . . . . . . . . . . . . . . . . . . . . . . .5
o Advanced o Building an Index Conclusion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
Color in Motion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
In Living Color . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7
Index A Hard Look at Creativity 9 iii
Text o Exporting Book A Archer, Frederick Scott 5 H Hauron, Arthur-Louis Ducos du 5 www.againsttheclock.com
Getting the Idea . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
The Five Forces of Creativity . . . . . . . . . . . . . . . . . . . . . . 11
Poitevin, Alphonse-Louis 3
Becoming Creative . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
printing 2, 3
puns 12
Creativity is Not a Talent . . . . . . . . . . . . . . . . . . . . .12
attitudes 14
hieroglyphics 1
Formatting audience 14 history 1–8 R race 14 Tips for Fueling Creatively . . . . . . . . . . . . . . . . . . . . . . . . 13
B
I
Stand on Your Head . . . . . . . . . . . . . . . . . . . . . . . .13
rock carvings 1
Files C imagery 12 S Change Your Perspective . . . . . . . . . . . . . . . . . . . . .14
idea book 13
role models 15
Bauhaus 9
The Inspiration File . . . . . . . . . . . . . . . . . . . . . . . . .13
Illumination 1–2
Industrial Revolution 9
inspiration 11
clay tablets 1
Niepce de 5
clothes designer 13 intuition 11 Saint-Victor, Claude Felix Abel Know Your Market . . . . . . . . . . . . . . . . . . . . . . . . . .14
collaboration 9
Schneider, Wilhelm 6
complacency 11 J scrapbook 13
Senefelder, Alois 3
Corbutt, John 5
creativity Joly, John 6 shoppers’ characteristics 14
definition of 12 sketchbook 14
five forces of 11
sourcebook 13
o Merging Data into D K Kalmus, Herbert 7 T 17
source of creativity 11
curiosity 11
demographics 14
talent 12
designer 13 L Talbot, William Henry Fox 4
Dickson, William 7 LeBlon, Jakob 3 target audience 14
Lumière, Auguste 6 V
a Page Layout E Eastman, George 5 M Maddox, Richard 5 vellum 1
visual information 9
Edison, Thomas 7
Mannes, Leopold 6
F Maxwell, James Clerk 5 W
metaphors 12
motivation 11
Fox Talbot, William Henry 4 Wilmanns, Gustav 6
frustration 11
N
G nationality 14
Godowsky, Leopold 6
graphic designer 13 P
Gropius, Walter 9
Gutenberg, Johannes 2 papyrus 1
perspective 14
photographs
daguerreotype method 4
project 6 Digital Layout Variations Our goal in this book is to familiar ize you with the majority
of the InDesign tool set, so you can be more productive and
more marketable in your career as a graphic designer.
o Controlling Color for
It is important to keep in mind that InDesign is an
Output
extremely versatile and powerful application. The sheer
o Creating Interactive
PDF Elements volume of available tools, panels, and features can seem
intimidating when you first look at the software interface.
Most of these tools, however, are fairly simple to use with a
o Exporting an HTML File bit of background information and a little practice.
o Exporting an EPUB File Wherever necessary, we explain the underlying concepts
and terms that are required for understanding the software.
We’re confident that these projects provide the practice you
need to be able to create sophisticated artwork by the end of
the very first project.
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