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6. If necessary, drag the Storm layer until the image fills any transparent area
behind the bricks and skyline.
Note:
Make sure you click an area where no pixels from another layer are visible.
When the Move tool is
7. With the Move tool still active, uncheck the Auto-Select option in the active, you can move the
Options bar. selected object or layer
1 pixel by pressing the
8. Click the Lightning layer in the Layers panel to select that layer. Click and Arrow keys. Pressing Shift
drag in the document window to move the layer content so the lightning with any of the Arrow
appears to strike one of the buildings. keys moves the selected
object/layer by 10 pixels.
Uncheck the
Auto-Select option.
When Auto-Select is
not active, remember
to first select the layer
you want to move.
9. Save the file and continue to the final stage of the project.
Stage 4 Saving Files for Multiple Media
At the beginning of the project, you saved this file in Photoshop’s native format (PSD). However,
many Photoshop projects require saving the completed file in at least one other format. Many artists
prefer to leave all files in the PSD format since there is only one file to track. Others prefer to send
only flattened TIFF files of their artwork because the individual elements can’t be changed.
Ultimately, the format (or formats, if the file is being used in multiple places) you use will depend
on where and how the file is being placed. For this project, you have been asked to create a flattened,
high-resolution TIFF file and a low-resolution JPEG file for use on a website.
sAve A flAt tiff file
The printed magazine suggests that ads created in Photoshop be submitted as flat TIFF
files. Since you designed the ad to incorporate bleeds for pages up to 8.5 1 11, all
you have to do for this version is save the file in the appropriate format.
1. With aftermath.psd open, choose File>Save As.
2. If necessary, navigate to your WIP>Movie folder as the target location for
saving the final files.
The Save As dialog box defaults to the last-used location. If you continued the entire way
through this project without stopping, you won’t have to navigate.
Project 1: Composite Movie Ad 83

