Page 7 - CC 2019 ID Look Inside

project 4 Museum Exhibits Booklet project 7 Repurposed Content Layouts
Working with Master Pages
Working with XML
Creating Alternate
Controlling the Flow of Text
Outputting Variations of Files Layouts

project 5 Folding Travel Brochure project 8 Multi-Chapter Booklet

Building a
Combining Documents into Books
Folding Template
Building a Table of
Advanced Frame
Excerpts
Options Contents Companion
Contents
Building an Index A Brief History of
Visual Communication
Illumination . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 1
Automating the Publishing Process . . . . . . . . . . . . . . . . . . 2
Advanced Exporting Book Photography . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
Color Photography . . . . . . . . . . . . . . . . . . . . . . . . . . .5
Color in Motion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
In Living Color . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7
Conclusion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
Text Files Index H Hauron, Arthur-Louis Ducos du 5 www.againsttheclock.com 9 iii
A Hard Look at Creativity
Getting the Idea . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
The Five Forces of Creativity . . . . . . . . . . . . . . . . . . . . . . 11
A
Becoming Creative . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
Poitevin, Alphonse-Louis 3
printing 2, 3
puns 12
Creativity is Not a Talent . . . . . . . . . . . . . . . . . . . . .12
Archer, Frederick Scott 5
audience 14
history 1–8
Formatting attitudes 14 hieroglyphics 1 R race 14 rock carvings 1 Tips for Fueling Creatively . . . . . . . . . . . . . . . . . . . . . . . . 13
I
B
Stand on Your Head . . . . . . . . . . . . . . . . . . . . . . . .13
role models 15
Bauhaus 9
idea book 13
The Inspiration File . . . . . . . . . . . . . . . . . . . . . . . . .13
Illumination 1–2
imagery 12
Industrial Revolution 9
C
inspiration 11 S Saint-Victor, Claude Felix Abel Change Your Perspective . . . . . . . . . . . . . . . . . . . . .14
Know Your Market . . . . . . . . . . . . . . . . . . . . . . . . . .14
Merging Data into collaboration 9 J Joly, John 6 Schneider, Wilhelm 6
clay tablets 1
intuition 11
Niepce de 5
clothes designer 13
complacency 11
scrapbook 13
Senefelder, Alois 3
Corbutt, John 5
shoppers’ characteristics 14
creativity
definition of 12
sketchbook 14
sourcebook 13
five forces of 11
K
curiosity 11
Kalmus, Herbert 7 source of creativity 11 17
D demographics 14 L T Talbot, William Henry Fox 4
a Page Layout designer 13 LeBlon, Jakob 3 talent 12
Dickson, William 7
target audience 14
Lumière, Auguste 6
E
V
M
Eastman, George 5
visual information 9
Edison, Thomas 7 Maddox, Richard 5 vellum 1
Mannes, Leopold 6
Maxwell, James Clerk 5
F metaphors 12 W
motivation 11
Fox Talbot, William Henry 4 Wilmanns, Gustav 6
frustration 11 N
G nationality 14
Godowsky, Leopold 6
graphic designer 13 P
Gropius, Walter 9
Gutenberg, Johannes 2 papyrus 1
perspective 14
photographs
daguerreotype method 4
project 6 Digital Layout Variations Our goal throughout the projects in this book is to familiar-
ize you with the tool set so you can be more productive and
Controlling Color for
more marketable in your career as a graphic designer.
Output
It is important to keep in mind that InDesign is an
extremely versatile and powerful application. Th e sheer
Creating Interactive PDF
Elements volume of available tools, panels, and features can seem
intimidating when you fi rst look at the software interface.
Exporting an HTML File With a bit of background information and a little practice
however, most of these tools are fairly simple to use.
Exporting an EPUB File Wherever necessary, we explain the underlying concepts
and terms required for understanding the software. We’re
confi dent these projects provide the practice necessary for you
to create sophisticated artwork by the end of the fi rst project.
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