Page 10 - CC2017_GD_Look_Inside

Contents

Project 5 Project 6
Vintage Car Montage 265 Museum Image Correction 331

Stage 1 Enlarging Source Files .................267 Stage 1 Retouching Damaged Images . . . . . . . . . . 333
Resize and Resample the Existing Source Image..........267 Remove Grain with Blur and Sharpen Techniques.........333
Sharpen the Enlarged Image........................ 270 The Noise Filters ................................334
Edit the Canvas Size ............................. 271 The Blur Filters ................................. 335
Stage 2 Working with Vector Tools ............. 274 Heal Severe Scratches ............................ 337
Use the Freeform Pen Tool ......................... 275 Clone out Major Damage..........................339
More about Working with the Paths Panel.............. 278 Aligning the Healing Source .......................339
Add to an Existing Path ........................... 279 The Clone Source Panel in Depth ....................343
Edit Vector Paths................................283 Stage 2 Correcting Lighting Problems . . . . . . . . . . 344
Create a Vector-Based Layer Mask ...................285 Correct Problems with Brightness/Contrast .............344
Create a Vector Shape Layer........................286 Correct Contrast and Tonal Range with Levels ...........346
More About Vector Shape Options ................... 291 Identifying Shadows and Highlights ..................349
Understanding Vector Path Operations ................292 Correct Lighting Problems with the Exposure Adjustment ...350
Selecting and Modifying Paths ......................293 Stage 3 Correcting Color Problems . . . . . . . . . . . . 352
Clone and Align Layers ...........................295 Correct Color Cast with the Color Balance Adjustment .....354
Auto-Select Layers...............................299 Correct Gray Balance with Curves....................356
Create Clipping Masks............................ 301 Adjusting Curves On-Screen........................ 357
Stage 3 Applying Styles and Filters . . . . . . . . . . . . 302 Correct Contrast with Curves . . . . . . . . . . . . . . . . . . . . . . .360
Add Texture to a Shape Layer.......................302 Understanding Curve Display Options .................362
Apply Custom Layer Effects ........................304 Stage 4 Preparing Images for Print . . . . . . . . . . . . 363
Layer Styles in Depth .............................307 Color Management in Theory and Practice .............364
Use the Filter Gallery ............................. 311 Define Color Settings.............................365
Fading Filters .................................. 312 Understanding Color Modes........................365
Liquify a Layer.................................. 313 Identify Out-of-Gamut Colors.......................369
More about the Liquify Filter ....................... 315 Adjust Highlight and Shadow Points for Print............ 370
Use the Eyedropper Tool .......................... 317 Converting Image Color Modes ..................... 373
Create a Custom Gradient ......................... 318 Converting Images to Grayscale ..................... 375
Create a Gradient Fill Layer ........................ 321 The Channel Mixer Adjustment...................... 376
Create a Pattern Fill Layer ......................... 322
Stage 5 Working with HDR Images . . . . . . . . . . . . 377
Distinguishing Photoshop Blending Modes ............. 325
Use Merge to HDR Pro............................ 377
Print a Composite Proof........................... 326
Print Output Options ............................. 327 Project Review ............................... 381
Portfolio Builder Project........................382
Project Review ............................... 328
Portfolio Builder Project........................329

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